The FILE - electronic language international festival - has been suggesting some strategies to cultural producers with a view to enhancing multiplying perspectives, seeking to generate and develop living processes of heterogenesis in digital culture. With this in mind, a new proposal called 'shared works' has been launched. In the present cultural conjuncture, these works could introduce initial procedures and performances to fulfil expectations regarding collective creativity as well as aspects yet unexplored by the cultural pantheon of digitality, and also to contribute to the deconstruction of "artistic" behaviours inherited by the culture of transcendence.

What is involved here is to find new tactics for connectivity and transformation of cultural work productions, which are no longer supported by either the tutelage of authorial unicity or the consensus of established disciplines. The result is both unutterable alterity events and multicellular works whose creative transversality generates the crossing of worlds, so far incompatible, and of poetics in which their existence is incompossible.