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THE ANARCHO-CULTURE
RICARDO BARRETO
pags  1 2 3 4 5
 
  In anarcho-culturalism, all cultural production is there to be replicated, altered, lacerated, slashed and contaminated; everyone will be able to make "art", everyone will be able to make music, you just need to "destroy them" (replication, sampling); the goal of anarcho-culturalism is the making and experimentation of the absolute OTHER. In the universe of alterity both time and space become non-linear and non-homogenous: pre-time, pre-space. There is no more a unity of space, a spatial substance or a spatial form. In pre-space, where the arché was withdrawn as a constituent element, there remains only anarcho-space, whose inexact dimensions connect infinitely to each other; extension, gone virtual, liquefies the geometrizing solidity, creating a strange link between time and space, or what could be called catatonic time (anarcho-virtual-time). It is the time of non-linear networks, in a strict connection to time and virtual space. Neither sequential or simultaneous continuity, nor
  limitating atomized instants, but strategic stops (temporal epokhe), where time passes with nothing passing, with a zapping of discontinuous fluxes, and in this case there is a temporal leap, where time doesn't pass, exceeding all speeds. The temporal epokhe (suspension) happens when time replicates itself, appearing as absent time, hence becoming spatial; the faster the temporal replication, more spatial it will seem. A very illustrative example of this situation of temporal suspension appears in Richard Serra's One-Ton Prop (House of Cards), where four lead plates are propped against each other in such a way that they keep vertical just because of the reciprocate tension between them. This tension was called prop. The great novelty of this sculpture is that it no more inhabits only space, but also time. It only exists while its parts keep leaning against one another, but time is not felt as passing, but as in abeyance. This work makes a mixture between space and time and displays a